From my previous post, a year ago I wrote: "I keep making them, boxing them, and making still more. This might be as good venue as any" to show the photographs I have made.
In the spirit of Sochi Games, that opened yesterday, and
echoing themes that have been present in my art for some time I will add this
small contribution to the discourse of Olympics as a representation of hubris.
Montreal had their Olympics in 1976. I stumbled on these structures while
biking through the city. Olympics
come with the promise of growth and are sold as a means to promote wealth and
national pride. Russia and Brazil
are having discussions in the same way as Vancouver and Montreal did about the
relative worth of the Games in comparison to social spending and the
development of human capital. These photographs can serve as a visualization of
the long term benefits of a games for a city.
The pictures were acquired by jumping a fence with my Pentax
67 slung around my neck.
Artistically, it was the perfect site drawn as I am to the aesthetics of
decay. In this sense the remnants
of the glory of an Olympic spectacle were both philosophically and artistically
a fascinating prospect. The
pictures were printed when I returned to Victoria. The anachronism of black and
white film photography seemed particularly appropriate to this subject in a
digital age particularly when coupled with a large etching that ensued from the
photographic project.
Photographs all "11x14" titled respectively "Olymics #1,2,3, and 4"
Etching " Olympics (Montreal)" 18x24"
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